Truth and Conspiracy in “The Sound of Freedom” movie

The movie “The Sound of Freedom” is an action thriller, borderline horror, film that depicts the nature of child sex trafficking based on the story of real life hero, Special Agent Tim Ballard of Homeland Security. Ballard was responsible for freeing over 100 children who had been trafficked and bringing dozens of traffickers to justice. The movie released on July 4, 2023, and it immediately prompted controversy while garnering high reviews (currently on Rotten Tomatoes, 75% from 24 critics and 100% from over 5,000 movie goers), and a hefty profit (up to $40 million currently after a $15 million budget). Here’s my take on the movie and the swirl of controversy around it.

The movie review

It’s a powerful, disturbing film. It’s not for families to watch, and honestly, it will be difficult for adults who have experienced trauma. For those who do go, it presents a gripping, suspenseful, meaningful story of hope and justice. Jim Caviezel, who plays the lead, does a decent job, more animated than his portrayal of Jesus in “The Passion,” but not by much. The script does run slow and predictable at points, but as a film, it delivers exactly what it promises. It is not a preachy film, and the religiosity is subtle and understated. Ballard is a Christian, but we don’t get much more than a single quote from the Bible, and another character who compellingly tells his story of a mystical conversion. It’s not your run-of-the-mill Kirk Cameron and Kevin Sorbo team up against the liberals who have brought on the apocalypse kind of Christian film. I recommend seeing it, with the aforementioned caveat.

The controversy

Now the conspiracies here are several layers thick.

  1. Jim Caviezel is a QAnon conspiracist. This is simply true. I’ve heard him in interviews retell the adrenochrome conspiracy, which is absolutely pseudo-scientific nonsense. It’s the worst kind of science fiction, the QAnon crowd has definitely bought in, and you are gullible if you do too. This isn’t to say that Caviezel isn’t a good actor, or that he doesn’t star in good movies, or that this isn’t a good movie. It isn’t to say that this movie forwards the adrenochrome conspiracy – it doesn’t even allude to it. This is simply to say exactly what I am saying – Jim Caviezel believes in nonsense.
  2. Immediately, a couple of outlets, the Guardian and Rolling Stone among them, pounced on Caviezel’s offstage commentary and accused the film of forwarding these conspiracies. To be specific, they act as though the movie is the Trojan horse for transporting QAnon conspiracies, despite the fact that the movie includes none of it. The little Trojan warriors are all inside Jim Caviezel’s head. The Guardian’s author is anonymous (let’s call her GAnon). She’s obviously given to a few crazed conspiracy theories of her own, and desperately wants to find one here, as though the QAnon people got together and wrote a movie script as sort of a gateway into their world. Because there is not actually any conspiracy theory in the film, she seems committed to the idea that where there is no smoke, there must be a very well-hidden fire. Those versed in modern media will simply see these two publications for the ideological rags that they are and move on.
  3. Now here’s where the social media frenzy begins. Conservative outlets, including those trying to promote the film, and of course Fox News, and about a million people on Twitter, pounced on the negative reviews and announced that Hollywood was trying to stop the film from being seen! Maybe there really is a trafficking ring made up of liberal Hollywood elites who don’t want the truth to get out! I don’t in any way think most of these outlets really believe this (except Mel Gibson – he really believes it); rather, I think the fastest way to promote your movie (or book) is to announce that some ideological group is trying to suppress (or burn) it. Jim Caviezel (who, I want to be very clear, believes in nonsense) has said that major distributors passed on the films. There are rumors that Netflix, Disney, and Amazon all rejected it, but none of that has been confirmed by Netflix, Disney, or Amazon yet. Nonetheless, pay attention – the conservative outlets are counting on public outrage to boost ticket sales and film viewership. They do this because they are aware of the swirl of QAnon theories about liberal elites, child trafficking, and adrenochrome, and even if they know those theories are far-flung, they also know there is a grassroots gathering of conservatives who have rallied around them. And there’s an election next year.
  4. That works. People really will go and see it because of all the media outrage. And then they’re going to find out that it’s actually a pretty good movie, which accounts for the perhaps slightly over-inflated 100% in viewer reviews. Some mainstream and not at all Christian outlets like Variety have also given it good reviews, because, in fact, it’s not a bad movie. Five stars.

In the end, I hope the movie does raise awareness of and opposition to the trafficking industry, I hope audiences are inspired by the conspiracy-free film, and I hope that maybe in the future Jim Caviezel stays in his lane.

Son of God Movie Review

Son of GodYesterday I was invited to Saddleback Church to preview the forthcoming movie Son of God, produced by the same people who created The Bible series for the History Channel last year, Mark Burnett and Roma Downey, who were both present for the screening.  I’d strongly recommend you put this on your list of movies to see when it releases on February 28th.

In terms of production value, it’s the best one of its genre.  The Jesus Film pales in comparison, looking almost like a homemade movie compared to Son of God.  The 1977 epic Jesus of Nazareth (over 6 hours long) was powerful for its time, but awfully hard to sit through.  The Passion of the Christ, which, coincidentally, released exactly 10 years ago on Feb. 25, 2004, did not tell the story of the life of Jesus, but really honed in on the pathos of his final week.  There really isn’t a modern day video retelling of the life of Jesus as good as Son of God.  More flamboyant retellings, like The Last Temptation and Jesus of Montreal, really fall outside the mainstream and look more like a sectarian reinterpretation of the story.

The movie doesn’t stray far from the biblical narrative, though it fleshes out some of the narrative behind the Roman occupation, and it emphasizes the way Jesus was an offense both to Romans and Pharisees.  Many of the lines are paraphrases of the words of Jesus and the biblical characters, but the movie isn’t indulgent in its adaptation.  It leaves a lot out, but after two and a half hours, it would have been hard to meaningfully include more and still accommodate the modern attention span.

For that reason, you need to see it.  Take your kids.  Take your unbelieving friends.  Take your small group and let it guide a discussion of which parts of the life of Jesus you tend to pay the most and least attention to.

The only criticism I have of the movie are just in the nature of the genre.  Many of the characters are white people with British accents and perfect teeth.  Of course, I don’t think American English would be any more authentic, and the only way around these cliches would be to do as The Passion and have the whole thing in Aramaic.  Some of the dialogue is oddly lilting, and the soundtrack is a bit melodramatic.  The costuming is a silly blend of immaculately clean robes in a rainbow of colors.  Still, the actor who plays Jesus, Diogo Morgado, is a nice variation on his predecessors.  Rather than pale and somber, he often appears amused.  You can’t help liking him from the beginning.  And to be honest, the cliches are at about the level of presentation that most Americans expect and even want from a story set in the ancient world.  We have the same caricatures when it comes to stories about ancient Greece, Rome, and Egypt.

So take the movie for what it’s meant to be.  It’s not simply entertainment, and it’s not intended to offer a new slant on the biblical narrative.  It’s fundamentally an evangelical tool for retelling the gospel again in a modern language.  And anytime Christ and culture meet, it’s a good opportunity for Christians to enter into conversation with a world that has heard different representations of Christianity and still wants to see the real thing.

hardwired cover

 

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